Ride the Eagle (2021) Review

Jake Johnson co-writes and stars in ‘Ride the Eagle’ (2021), the Trent O’Donnell film of a man reconnecting with his deceased mother and makes the most of Covid limitations. Review by Leoni Horton.

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Isle of Dogs (2018) Review

2018 stop motion animation ‘Isle of Dogs’ is a loving ode to dog-kind from famed contemporary auteur Wes Anderson, and features an all-star cast. Christopher Connor reviews.

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Songs for the River (2021) Open City Documentary Festival Review

Charlotte Ginsborg coronavirus pandemic documentary ‘Songs for the River’ highlights social and political issues from the perspective of a small London community. Sam Sewell-Peterson reviews.

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Shang-Chi and the Legend of the Ten Rings (2021) Review

Marvel’s first true martial arts film is endlessly thrilling, funny and heartfelt. Shang-Chi and the Legend of the Ten Rings, starring Simu Liu and Awkwafina. Review by Sam Sewell-Peterson.

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The Green Knight Finally Gets UK Release Date

David Lowery medieval epic ‘The Green Knight’, from A24 and starring Dev Patel, has finally been given a UK release date. Find out when, and all you need to know, in this news story from George Taylor.

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85-Year-Old ‘My Man Godfrey’ Is a Crash Course in Comic Perfection

Gregory La Cava comedy ‘My Man Godfrey’ (1936), starring William Powell and Carole Lombard, could teach modern Hollywood some lessons, even at 85 years old. Retrospective essay by Sloan De Forest.

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Mad God (2021) EIFF Review

Phil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.

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The Beta Test (2021) EIFF Review

Jim Cummings’ newest offering, ‘The Beta Test’, is a ‘Twilight Zone’ shaped Hollywood rabbit hole filled with murder, mystery, manipulation, data harvesting, consumerism, greed and luxury stationery. Leoni Horton reviews.

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Censor (2021) Review

‘Censor’, the debut movie of Welsh filmmaker Prano Bailey-Bond, is a horror film set within the era of so-called “video nasties”, a “captivating and original story”. Mark Carnochan reviews.

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