2017 is a strange year for followers of the movie industry. Big-budget franchise films like The Mummy and Baywatch have bombed massively while smaller budgeted movies like Get Out and Girls Trip have performed admirably at the box office, seemingly indicating the start of a downward turn for universes and reboots. There is also evidence of a growing divide between what audiences in the US and Canada want to see and what those around the world want to see, with Despicable Me 3 and
Ridley Scott has released 24 films in his 40 year feature-length career. Here are his top 10.
The advances of Video on Demand service Netflix into the realms of original programming and film distribution offers a very real threat to Hollywood. Lee Royle explores.
Katie Doyle presents why she feels the reemergence of ‘The Dark Crystal’ via Netflix signifies the positive side of this decade’s 80s nostalgia trip.