Where to Start with Sam Raimi

Where to Start with Sam Raimi

Where should you begin with the feature directorial career of iconic horror and superhero filmmaker Sam Raimi? Find out in this article by Mark Carnochan.

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‘Blade’ at 25 – Review

‘Blade’ at 25 – Review

25 years on from revolutionary comic book film ‘Blade’ starring Wesley Snipes, it has become clearer how this film changed the blockbuster landscape. Review by Sam Sewell-Peterson.

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Spider-Man: Across the Spider-Verse (2023) Review

Spider-Man: Across the Spider-Verse (2023) Review

Sony Pictures Animation are rewriting the rule book in ‘Spider-Man: Across the Spider-Verse’ (2023), a ginormous swing at something special. Spider-Man doesn’t get better than this.

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Matt Reeves Films Ranked

Matt Reeves Films Ranked

Matt Reeves has emerged as one of the most captivating directors in Hollywood. From ‘Cloverfield’ to ‘The Batman’ via ‘War for the Planet of the Apes’, these are Matt Reeves Films Ranked. Article by George Taylor.

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James Gunn Announces New DC Slate

James Gunn Announces New DC Slate

DC Studios head James Gunn has presented the plans for the next 8-10-years of DC films, announcing several brand new projects. Report by George Taylor.

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2022 Comic Book Movies Ranked

2022 Comic Book Movies Ranked

All 9 feature-length comic book movie adaptations, from ‘The Batman’ to ‘Black Panther: Wakanda Forever’ via ‘Black Adam’, ranked worst to best. Ranked list by Joseph Wade.

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Straightwashing Removes All Rainbows: Removing Bisexuals from Comic Book Films

Straightwashing Removes All Rainbows: Removing Bisexuals from Comic Book Films

In 2022, the blockbuster sphere’s choices in representation must face more scrutiny, particularly with regard to straightwashing bisexual comic book characters. Essay by Paul Klein.

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Lady Gaga in Talks to Join Joker 2, Film Is Reportedly a Musical

Lady Gaga in Talks to Join Joker 2, Film Is Reportedly a Musical

Lady Gaga could be set to join the cast of Todd Phillips’ ‘Joker’ sequel, titled ‘Joker: Folie à deux’, which may surprisingly be a musical. Full news report courtesy of George Taylor.

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Is Marvel’s Insistence on Being So Firmly On-The-Nose Rooted in a Distrust of Its Audience?

Is Marvel’s Insistence on Being So Firmly On-The-Nose Rooted in a Distrust of Its Audience?

In ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.

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